Aroma: Tropical fruits, stewed pears, honey, caramel, cream, woody, floral, fig, honeyed ham.
Taste: honey, tropical juice, dark chocolate, tobacco, meaty, smoky, woody, transparent and stretched texture.
Finish: cocoa, chocolate, citrus marmalade, rocks, minerals, tree honey.
Silent Third Element(Moon)
Series introduction
This series is jointly planned by The Whiskyfind and Silent Third, a well-known bar in Kyoto. The wines are selected based on the imagery of "gold, wood, water, fire, earth, sun, and moon" from the oriental natural elements, and the famous contemporary Japanese illustrator Takumi Toxin is invited Painting wine labels. Released starting in 2018, two works are released every year.
About Silent Third
On July 8, 2014, Mr. Hashimoto, who originally worked at the famous classic bar "K6" in Kyoto, founded his own bar, SilentThird. The name of the store was inspired by the cocktail of the same name: the first person is the customer, the second person is the Bartender, and " Wine "is the silent third party. Although it cannot be spoken, it can convey the message deep in Bartender's mind and soul to the customer!"
About Takumi Toxin
Takumi Toxin, who currently lives in Hokkaido, is good at blending Eastern and Western cultural elements in his paintings. His style is changeable. He can be dark Goethe, gentle and sweet, or Oriental Ukiyo-e. He is very talented!
The feminine goddess of the moon
Japan's "Kojiki" records that Izanagi gave birth to Amaterasu, Tsukiyomi, and Susano'o. Among them, Tsukiyomi was beautiful and cold. When Amaterasu illuminated the earth during the day, she would hide herself. When night falls, Amaterasu withdraws her light and the earth becomes dark, she will show her bright face to dispel the darkness and fear of the night. The meaning of moon reading is to follow the natural laws of the moon's waxing and waning to seek nourishment from the earth and a good harvest. Therefore, we selected this malt blended whisky from four distilleries that was distilled and matured in barrels in the 1980s to present this image of softness and order, inaction and fullness.